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    当前位置: 首页» 北印资讯» 北印学术» Pioneers of Visual Music

    Pioneers of Visual Music

    信息来源:设艺 | 发?#38469;?#38388;:2018-10-18    [关闭窗口]

    学术讲座:Pioneers of Visual Music时间:2018.10.22上午九点地点?#33322;藺楼报告厅讲座嘉宾:Dr Birgitta Hosea

    嘉宾学术背景:动态影像教授

    博士生导师

    毕业于中央圣马丁学院,博士学位

    曾任:?#22987;?#33402;术学院 动画专业负责人

    中央圣马丁学院 角色动画专业课程导师

    Dr Birgitta Hosea

    Reader in Moving Image

    Responsible for developing research inititives in the School of Film, Media and Performing Arts; PhD Supervision; teaching across the school

    Education

    Undergraduate Degree

    MA (Honours) Drama, Film and Television Studies

    University of Glasgow

    Year of completion: 1986

    Post Graduate Degree:

    MA Computer Imaging and Animation

    Sir John Cass School of Art, London Guildhall University

    Year of completion: 1999

    Post Graduate Degree:

    PhD

    Central Saint Martins, Uuniversity of the Arts London

    Year of completion: 2012

    Professional Qualifications:

    Postgraduate Certificate in Teaching and Learning for Art and Design

    Centre for Learning and Teaching in Art and Design, London College of Fashion, University of the Arts London

    Year of completion: 2012

    Work Experience (three most recent employers)

    Head of Programme: Animation

    Royal College of Art

    Jan 2016 - Feb 2018

    Brief description of responsibilities: Organisation of curriculum, examinations, quality assurance, marketing and development; teaching and PhD supervision

    Course Director, MA Character Animation

    Central Saint Martins

    Jan 2000 – Dec 2015

    Brief description of responsibilities: Organisation of curriculum, examinations, quality assurance, marketing and development; teaching and PhD supervision

    Software Demonstration Artist / Event Organiser (Freelance)

    Adobe Systems

    1999-2012

    Brief description of responsibilities: Demonstration of new software packages at international trade shows; training corporate clinets in broadcast sector; organising animation and motion graphics events. 

    Research (details of published work / exhibitions over the last five years)

    Authored books

    • 2019 (in progress), Performance Drawing: New Practices since the 1960s, I B Tauris/Bloomsbury (Foá, Maryclare, Grisewood, Jane, Hosea, Birgitta and McCall, Carali)

    Articles and chapters in edited books

    • 2019 (in press), "Made by Hand" in The Crafty Animator, ed. Caroline Ruddell, Palgrave MacMillan

    • 2019 (in press), "Beyond the Digital Écriture Féminine: Cyberfeminism and Experimental Computer Animation" for Experimental Animation: From Analogue to Digital, eds. Lilly Husbands, Miriam Harris, Paul Taberham, Routledge

    • 2018, "Siting Animation: the Affect of Place" in Experimental and Expanded Animation: Current Perspectives and Practices, eds. Vicky Smith, Nicky Hamlyn, Palgrave Macmillan (British Film Institute), Basingstoke.

    2018 (In Press), "Animation as Mindful Practice" in Animating the Spirited: Journeys and Transformations, ed. Tze-yue Gigi Hu, University Press of Mississippi (Barton, Graham, Hosea, Birgitta)

    • 2016, "Expanding Animation", Beyond Noumenon Forum Proceedings, Sichuan Fine Arts Institute, China

    • 2016, "Creative Actuality: Modes of Animated Documentary", Animation in the Age of Crossover: the First China Animation Studies Conference Proceedings. Sichuan Press, Chengdu University, China

    • 2015, "Off the Rails: Animating Train Journeys" in Animated Landscapes, Bloomsbury, ed. Chris Pallant

    • 2015 "Animation Installation: The Affect of Place", The Boundless Space: Transcending the Threshold Conference Proceedings, Asia Animation Forum, BIAF, Korea

    Recent filmography and exhibitions (selected)

    • 2018, Erasure, Hanmi Gallery, Seoul, Korea

    • 2018, Night Walking North Kent Festival, InspiralLondon, ‘dotdot dash’

    • 2018, Empire II: Age of Anxiety, Haus Gallery, Tallinn Art Week, Estonia, ‘Erasure’

    • 2017, Longitude and Latitude, Chengdu Museum of Contemporary Art, China, ‘Warping the Weft’

    • 2017, Karachi Biennale, Theosophy Society, Karachi, Pakistan, ‘Medium’

    • 2017, Empire II: Age of Anxiety, Castello 1610/A, Venice Biennale; Brussels Art Week; Unit 1 Gallery, London; SPEKTRUM, Berlin, ‘Erasure’

    • 2017, Holland Animated Film festival, Utrecht; Strangelove Film Festival, Folkestone; Canterbury AniFest, UK; AnimFest, Athens; Mzansi Women’s Film Festival, Johannesburg, South Africa; Libo International Animation and Comics Festival, Guizhou, China; Les Femmes Underground Film Festival, Los Angeles; Eye Myth Festival, Vancouver; AntiMatter, Victoria, Canada; AFC Global Fest, Kolkata, India; Locomocion, Mexico; Visionaria, Italy, ‘Erasure’

    • 2016, Beyond Noumenon. New Media Arts Centre, Sichuan Fine Arts Institute, Chongqing, China, ‘Rosary Drawing XII’, ‘Scoured I-XVI’, ‘Cleaning I-II ‘

    • 2015, The Fall of the Rebel Angels, Castello 1610/A, Venice Biennale, ‘Anguish II (After Delsarte)’

    • 2015, Mysterious Objects at Noon, Objectifs Centre for Photography and Film, Singapore, ‘Paradoxes for the Virtual’ (with Lynn Lu)

    • 2014, Dans Ma Cellule une Silhouette, Centre d’Art Contemporain, La Ferme du Buisson, Paris, ‘Traion I (Ferme)’ (with Maryclare Foa)

     

    重庆时时彩龙虎版
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